07-11-2008, 09:51 PM
i still love h.e.r.
Join Date: Nov 2003
Location: somewhere you are not
Rep Power: 29
The-Falcon-1983 4 part mini series
Falcon (4 issue miniseries)
November 1983 – February 1984
Writer: Jim Owsley
Artists: Paul Smith/Vince Colletta, Mark Bright/Mike Gustovich
I was first attracted to this miniseries because of the wonderful Paul Smith cover. And then when I saw that he was doing the interior art as well, I was sold on it. Unfortunately, Smith’s art was heavily inked by Vince Colletta which managed to smother Smith’s great pencils.
This miniseries was written by Jim Owsley, the man who would go on to be known as (Christopher) Priest. In 1983, he was also the first published African American comic book writer.
The first issue focused on the Falcon’s alter ego, Sam Wilson, and his role as a social worker in the ghetto dealing with low-income housing and gang violence. Owsley does a solid job with the script and pulls off a relevant story that as applicable today as it was twenty-one years ago.
This story was written years before the other three issues and circulated around the Marvel offices for quite some time. The first issue was then originally slated for Marvel Fanfare, but Jim Shooter wanted to push new idea of limited series, and decided that a Falcon limited series would be a perfect fit.
Since Paul Smith was already committed to the Uncanny X-Men, the other three issues’s pencils were handled by Mark Bright, Owsley’s partner-in-crime for many other works like Quantum and Woody and Power Man & Iron Fist.
The Falcon miniseries introduced Police Sergeant Turk who would become a popular secondary character in the Marvel Universe.
Issue #2 revealed that the Falcon is a mutant and spends the issue fending off a Sentinel. He’s able to destroy the Sentinel, but he’s unable to intervene to stop a gang war and loses the trust of a gang leader. Both the story and art excel in this issue. There several great action sequences juxtaposed with the gang war bubbling over. Good pacing establishes the story’s tension and really makes you feel how the Falcon is pulled in both directions.
In issue #3, the Falcon deals with last issue’s fallout and is reminded of his days as “Snap” Wilson when he sold drugs, ran numbers, and operated ‘protection’ operations. And for the record, Snap Wilson did go on trial and was released into Captain America’s custody.
Issue #4 has the Falcon trying to rescue the President of the United States of America who’s being held hostage by a street gang and runs into Electro. The Falcon was the former Captain America sidekick and as the character matured he was putting some distance between himself and Captain America. Captain America co-stars in this issue, but doesn’t take the spotlight from the Falcon. The Falcon actually comes to Captain America’s rescue and even convinces the gang leaders to release the President and start up a dialog about improving their ghetto’s conditions.
Issues #3 and #4 are bit weaker than the initial two issues. The idea that some street gang could kidnap the President of the United States didn’t sit right with me. Neither did the marshmellowy ending where Reagan sits down with the gang leaders for a chat.
The Falcon is next seen in Captain America as a supporting character and runs for a seat in Congress.
click the sig if you vatican status