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Old 03-03-2011, 12:13 PM   #5
cutn' heads
mic fury
 
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Originally Posted by Bronze Feet View Post
ya mixing is tough from start to finish.

i recently realized to that recording methods are equally as important to the mixing process. a lot of the times id stand to close to the mic and it would come out sounding muffled cause i was too close to the pop protector.

the area we got isnt treated, got concrete walls in a basement, but there is some foam shit around the top lol. def not professional. i think we got a Samson condenser mic, it works real dope. i seen a few pros using them in videos.

i dont know anyhting about protools, and i dont know much about the science behind mixing as far as frequencies and such. its mostly by ear for me. compressors helps to remove the unwanted spikes, cut out some of unwanted noise with the threshhold. i trying to venture in to a multiband compressor for better results but that will take a lot of time.

for a good base, work with a basic compressor, EQs and reverb with backing vocals (add the bulk of effects to the backing vocals). but Protools you can prolly get some dope VSTs that come with dope presets.

to me its all based on the ear. but to me it all starts with how you record

i do it a bit different. after i record the vocal i make second copy of it on another track. i put EQ and comp. on the main vocal and pan it slightly to one side. the second vocal gets eq and reverb, and is usually panned further to the opposite side. then i do ad libs, usually, and give them some flavor with eq and maybe some reverb or air chorus.

this system works ok for me. sometimnes it doesnt though. really depends on what frequencies the track uses. at least thats what i think. i have no idea for sure... lol
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