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Thread: New Masta Killa Interveiw

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    Masta Killa: A Brooklyn State of Mind
    By Kathy Iandoli

    From the moment the world heard Masta Killaís clean-up verse on the Wu-Tang Clan classic ďDa Mystery of Chessboxin,íĒ it was obvious that the quality of rap lyrics stepped up about three notches. Masta Killa was the silent horse, called upon for lethal injection as needed. While the rest of the Wu released groundbreaking LPs and devoured pieces of the industry pie, Masta Killa played his position as the underground lion waiting for his time to roar. 2004 saw the long-awaited release of his first LP No Said Date, where the lexicon rounded up every Wu affiliate for the first time in years. Heís done it again, two years later, with Made in Brooklyn, featuring everyone minus the late Olí Dirty Bastard.

    In picking Masta Killaís limitless brain, he discusses the keys to calling together the Wu, his mindset during Made in Brooklyn and his borough-based influences. A PETA activist and life-giver, and why beef on and off records, has never charged Masta Killa to live up to his moniker.

    AllHipHop.com: Traditionally, the whole vibe of Wu-Tang was in honor of Shaolin [Staten Island], what made you decide to pay homage to your hometown of Brooklyn with this album?

    Masta Killa: Well, Iíve been in a group of eight incredible MCs, which is like being on a team of all superstars basically. Thatís incredible in itself. So to wait my time for my turn to represent what I always represented included understanding what had to happen as opposed to what I wanted to happen. My opportunity is here and damn, itís been 13-14 years later, but Iím blessed to say Iíve been preserved to a degree and now I get to express where I come from. Iíve always given you a taste of that throughout the years, but now I can give you more of me.

    AllHipHop.com: Your lyrics have such a complexity but an edge to them, unlike other Brooklyn natives. Coming up, who out of the Brooklyn MCís did you listen to?

    Masta Killa: When I was growing up, there were groups out of Brooklyn like Divine Soundz, and they lived right up the block from me. I lived in East New York to Bed-Stuy; all over Brooklyn basically. Hip-Hop has millions of MCs everywhere with their own experiences in Hip-Hop. As for my experiences growing up in Brooklyn, we had block parties, jams. There was so much talent from the staircases at school to the lunchroomÖthe back of the train coming home from school. You heard s**t that never made a record or never made it to the industry but that s**t was an anthem! But thatís where I come from.

    AllHipHop.com: You are one of the few members that can actually round up the whole Wu-Tang Clan for your releases. How are you able to do that, since most of the other members havenít been able to pull that off?

    Masta Killa: I donít think it was a situation where they couldnít have pulled it off, but I think that maybe it was a situation where I didnít have the pressure of maybe making a release date for a label. So I was able to be patient with Ghost[face] because I really wanted his verse. Instead of me having the pressure of making this release date, and be like, ďDamn, I havenít seen Ghost in sixty f**kiní days because heís touring the world,Ē Iím able to do me. Be patient and get what I actually need, because I knew thatís what I wanted. Thatís just me; I want to make good music. Good music to me is having more than one instrument, and I look at voice as an instrument. Our [Wu-Tang] careers pull us in all different directions, but we all support each other.

    AllHipHop.com: What should fans expect from Made in Brooklyn?

    Masta Killa: I would say they can expect definitely good music. Thatís only my opinion though, judging by what I see as good music from what I came up on. What makes me feel good or makes me dance, strike some emotion in meÖthatís what Iím trying to project to the people. Iím just trying to provide that type of therapy. They can expect to put on the CD with 13 songs, and before you know it, itíll be over like, ďGod damn, that s**t went quick!Ē And then Iíd hope theyíd wanna rewindÖor fast-forward [laughs]. If Iím in that groove right there, then Iím doing something good.

    AllHipHop.com: How did you go about picking the producers, like MF Doom and Pete Rock?

    Masta Killa: Some of the producers I admire their work, and it was just a golden opportunity to finally have a chance to work with certain people. Some producers are people from my hood like people might not have heard of are on there [like PF Cuttin], theyíre dope also in making good s**t too. I grew up with them and it gave me the opportunity to work with them also. It was a made in Brooklyn project. 75% of the album was made in Brooklyn basically. I put most of that s**t together at home. S**t came together pretty good.

    AllHipHop.com: MF Doom has been in a couple of Wu-Tang projects. Will we see him as an honorary member?

    Masta Killa: Um, I donít know. I donít make those decisions [laughs].

    AllHipHop.com: After your verse on ďDa Mystery of Chessboxin,Ē you were hailed as one of the illest MCs out. What is your thought process when writing your rhymes?

    Masta Killa: I donít really like to say anything if it doesnít to make sense to some degree. I like to have some substance in anything that Iím on or dealing with. Itís the same as- I wanna have a good time, but I donít wanna come to the party and just get carried out totally pissy drunk. I still wanna make it out on my own and conscious so Iím home safe [laughs]. Itís about having fun and enjoying what you do. Do you like what you do?

    AllHipHop.com: Who me? Yes.

    Masta Killa: See, thatís 70% of the battle right there [laughs].

    AllHipHop.com: Amen [laughs]. So since youíve come out, how have you seen the Hip-Hop crew evolve?

    Masta Killa: I guess you could say everybody gets their turn to burn. So it went from the East, to the West, to the Midwest, now the South. Iím waiting for the North again now. Hip-Hop is universal, just a beautiful thing. Iíve watched it spread globally over the past 15 years. I love it. The light definitely hit every part of the Earth at different times, but we definitely get stroked by the light sometimes [laughs].

    AllHipHop.com: Thatís interesting how youíre one of the few New York MCs to give the South their credit in being the hot region right now.

    Masta Killa: Well s**t, I love the South! My motherís from the South [laughs]. Itís like, everybody has their own way of doing things. Hip-Hop was big in the South in the early 80ís when early Hip-Hop was out. And the South- thatís how they loved it. They loved it a certain way. Now when they were still partying like thatÖthey never stopped partying. So we were jumping up doing all this f**kiní other stuff Ė the happy feet and all this other s**t, but they were still doing their thing! So now after all of this s**t, it just happened to go back to what they never stopped f**kiní doing. You can hear ten records that all sound alike, but thatís what the f**k they do. Theyíve got their own movement with their own sound thatís early Ď80s Hip-Hop. Thatís what they on. I know that era, so I can appreciate it. But the era for me, the Rakim-Kane era, thatís when it was getting crazy for New York. Everybody gets their time to shine though, and I love it from every angle.

    AllHipHop.com: How would you respond to being considered more of an underground artist?

    Masta Killa: I guess you can say Iím closer to the ground? More grounded? [laughs] I try to keep it there. My grandma used to tell me, ďNo matter how high a bird flies, it has to come down to the Earth to get its food.Ē I never forgot that, so when you get little jewels like that early in life, you carry them with you. And she dropped that shit on me early!

    AllHipHop.com: Is that why you chose to play the back for a while with Wu-Tang Clan?

    Masta Killa: Well Wu-Tang was already a movement and my brothers were doing it whether I decided to get my s**t together or not. My brothers are ill MCs; RZAís an ill producer. They were already doing them when I said, ďlet me take this serious and write a verse for ĎDa Mystery of Chessboxin.íĒ Thatís when I decided to take it seriously, but my brothers had been taking it seriously. Thatís why they were writing s**t like, ďHey, you! Get off my cloud/You donít know me and you donít know my style.Ē They were in the zone already. Iím looking at [Method Man] like, ďDamn, thatís really how you feeliní?Ē [laughs] So I was like, ďDamn, if I wanna take this serious and make a career out of it, I gotta buckle down and sharpen my s**t up.Ē Just the seriousness of even making a song back then was surreal. Youíd come into the studio and everybody was there. There was only one beat though. Everybody canít get on, because we canít all make ďProtect Ya Neck,Ē so that means your s**t has to be intriguing, witty, attractive enough to stay amongst everything else thatís here.

    AllHipHop.com: Damn, sounds like a job interviewÖ

    Masta Killa: [Laughs] It was [like] Making the Band, forreal. So if your s**t ainít sharp, then nah it ainít makiní it. Thatís when you get a situation like ďC.R.E.A.M.Ē It was just [Inspectah] Deck and Rae[kwon]. Why? Because they killed it! They didnít need anybody else on there. So yeah you might be ill, nasty, but thereís no more room because itís already been murdered. Itís dead already. Move on. Youíre amongst a lot of talent. You can either give up or develop your talent to be able to hold your weight.

    AllHipHop.com: Speaking of eating from the Earth, what made you decide to become active with PETA?

    Masta Killa: I heard they were doing something for vegetarians, and thatís how I eat to live. It was a beautiful opportunity for me to speak about why I eat the way I eat. As a child, I never really liked meat anyway. I remember chewing the meat up, getting the juice, and spitting it out. I didnít wanna eat the beef. Then they got me going to McDonaldís and Iím liking the meat. I liked the hot dogs and s**t. But in actuality, I never really liked meat. A lot of children probably donít like meat. As parents, we force them to eat the meat. Why force them to eat something they donít wanna eat? Who said thatís nutritious and you have to eat that to be a certain size? Elephants are diesel and they donít eat meat! [laughs] They donít eat meat; they eat treesÖand a lot of them [laughs]. Thereís so many ways to eat and the most natural way is the one people push the furthest from you. Thatís because it could actually have you here for who knows how long. Think about a Thanksgiving dinner: rice, vegetables, stuffing, candied yams, macaroni and cheese, cornbread, slice of pie, whatever. I havenít even gotten to the turkey yet and Iím full already, so why am I still eating? So PETA was a good opportunity for me to speak on being a vegetarian and why itís healthier for you.

    AllHipHop.com: Lastly, if you werenít making music, where would you be?

    Masta Killa: Sis, I couldnít even tell you [laughs]. Thatís why everyday, I count my blessings.

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    ISRAELITE THE W's Avatar
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    The wrath of God is being revealed from heaven against all the godlessness and wickedness of men who suppress the truth by their wickedness, since what may be known about God is plain to them, because God has made it plain to them. For since the creation of the world Godís invisible qualitiesóhis eternal power and divine natureóhave been clearly seen, being understood from what has been made, so that men are without excuse. (Romans 1:18-20)

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