|12-09-2011, 10:05 AM||#168|
Join Date: Feb 2008
Posts: 2,170Rep Power: 25
Duncan Jones- "Not sure if Im allowed to say what I saw tonight... suffice it to say, it was considerably epic. You will be pleased."
Eli Roth- "I just saw the most incredible #DarkNightRises footage in IMAX. Mind blown"
Edgar Wright- "P.S. It was amazing."
Saw THE DARK KNIGHT RISES IMAX prologue. 3 words. Holy *beep* sh*t.
slashfilm Peter Sciretta
Just saw The Dark Knight Rises prologue in IMAX and it's completely not what you're expecting, and awesome.
http://inagist.com/slashfilm/144988255555825664/ 3 more from slashfilm
FredTopel Fred Topel
DARK KNIGHT RISES footage amazing. Sets real world scene like the Joker bank robbery but crazier.
TheInSneider Jeff Sneider
Just saw The Dark Knight Rises prologue. It was great but main criticism will be that it's tough to understand Bane through the mask...
Variety & First Showing
"TDKR IMAX prologue was amazing. I didn't think he could, but I think Nolan has done it, he's made a movie to top TDK. Holy *beep* so good!!
There is Catwoman, Bane, Joseph Gordon-Levitt, it looks like everything I could've wished for and more. Nolan, such a brilliant filmmaker.
Aiden Gillen and Josh Stewart figure into the prologue but the whole things kicks off with Gordon talking about Harvey Dent.
New Bat logo is very cool! Prologue features some exciting acrobats. A must-see in IMAX format. Definitely worth seeking out those theaters. http://www.comicbookmovie.com/fansit...ews/?a=50909&a mp;a mp;a mp;t=First_Impressions_Of_The_TDKR_Prologue
hollyoutbreak Hollywood Outbreak
Just saw seven minutes of Dark Knight Rises on IMAX. Chris Nolan introduced clip. Bane fans wont be disappointed!
Alex Billington, First Showing
I didn't think I could like Anne Hathaway any more... but wow she looked stunning, even with cute cat ears!
|12-10-2011, 06:20 PM||#169|
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After presenting the IMAX prologue to The Dark Knight Rises the other night, the director and producer spouse team of Christopher Nolan and Emma Thomas chatted one-on-one with IGN about their final Bat-film. The prologue is the action-packed introduction of TDKR's primary villain, Bane (played by Inception's Tom Hardy). We're issuing a slight spoiler warning, although it's probably nothing you haven't already learned if you've been following the film's production.
What's the deal with Bane's mask and skull-crushing methodology?!
IGN: Did you always want to introduce Bane sort of physically in the middle of an action sequence? I would imagine the first thought would be, "We'll introduce him in prison because that's what people associate him with." Can you talk about the genesis of how you wanted to introduce this character?
Christopher Nolan: Well, when you're thinking about opening a film you want you want to lead in a striking way and with a very striking number of character-driven views. So you're looking for a sequence that showcases this -- in the case of Bane -- his physicality and his aggression and devotion to his prize and this kind of thing. Those are all things that get wrapped up in there.
The Dark Knight Rises Teaser Trailer
IGN: We know you selected Bane as the villain of this film because you wanted him to be a physical challenge for Batman. But he's a character that, frankly, I didn't really read up on until I heard that he was going to be in the movie. I knew that he was the guy who broke Batman's back, and that's kind of all I knew about him. But the more I read about him, the more I became kind of fascinated by him, that this is a guy who was raised in prison and all that. How much of that backstory, the elements that made him who he was, do you retain in the film? And if you don't, were you worried at all that that would be like getting rid of Bruce Wayne seeing his parents shot, that impetus for why he is who he is?
Nolan: Well, the liberating thing about dealing with a lesser known villain is you feel more creative freedom to embrace the elements of that character you feel can serve your story and ignore those that won't. But at the same time, we chose Bane because he has some very unique elements to who he is. As far as the emphasis to it in the film, I'm actually editing some right now, so you never quite know until it's done. But we certainly intend to do justice to it, to the character I've written and to the comics. And I think the significance of Bane, in our eyes, is his strength as an antagonist to Batman. Everything must serve that, including the nature of his past and how that will play into the story.
Did We Like The Dark Knight Rises IMAX Prologue?
IGN: Gary Oldman said the other day something about the Harvey Dent Act. Is there a "Harvey Dent Act," an actual piece of legislation, and what can you tell us about sort of the shape that Gotham is in when we pick up the story eight years later?
Nolan: Well, that's funny, I didn't read that. But there is a piece of legislation, and we are dealing with a Gotham that's moved on. In the last eight years, it has come to revere Harvey Dent in the way that Batman intended at the end of the last film.
IGN: In Dark Knight, Gordon and Batman make this spur-of-the-moment pact to lie and say about Dent, "He wasn't that guy (Two-Face)." Will we see the repercussion of that pact play out in this film?
Nolan: (smiles) I don't think I want to answer that question.
IGN: That's fair enough.
Continue on for our chat with producer Emma Thomas.
IGN: Can you talk about the idea to start with Bane already being Bane. We don't know how he got there, but --
Emma Thomas: And I think in some ways it's kind of fun. In The Dark Knight we did the same thing when we introduced the Joker, and he was in mid-heist. And it very much, if you remember, it very much gave you the sense of who the Joker was. And I think the same thing goes for this prologue. Bane is already doing his thing, and you can see that he's a brute. He's a smart brute, but some things -- there's a real grandeur.
- Warner Bros.
IGN: I know you guys have worked with Tom on Inception so were you already thinking about Dark Knight Rises and Bane when you were doing Inception? Were you looking at Tom like, "Oh yeah. That's our guy." At what point in the process did you say, "Tom should be Bane"?
Thomas: We already knew that Bane was the villain when we were shooting Inception. And actually as we were shooting, we did talk about how, wow, Tom would be perfect for Bane. We talked about that pretty early on. The issue that we had was that Tom was going to be doing another movie. He was committed to be in Fury Road, and we knew he wasn't available. So every conversation that we had about how Tom was perfect to be Bane was sort of tinged with regret because we knew he couldn't be. So as soon as we found out that that movie had pushed we approached him.
IGN: We saw a little bit of the sizzle reel there at the end of the prologue. Are those highlights from the upcoming trailer, or is that just stuff that only people are going to see if they come to this IMAX prologue?
Thomas: I'm trying to think. We have a great trailer coming out, and there are a couple of things in the prologue that are in the trailer. But there's a lot of the trailer that isn't in the prologue.
- Warner Bros.
IGN: At what point did you realize that you also wanted Catwoman to be in it? And were there any villains that you guys considered and cast aside? There was always speculation about Riddler.
Thomas: That's really a question for Chris in terms of who they thought of and tossed aside. In terms of the way the process works, even before went to start Inception, Chris and David Goyer had sat down and mapped out what the plot for what the story of this movie was going to be. And while we were shooting Inception, Jonah [Nolan], Chris's brother, was writing the script. So while we were shooting Inception, we knew exactly who the characters were. As for how they came up with who those characters were, that's a question for them.
|12-12-2011, 07:28 PM||#171|
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‘Dark Knight Rises’: Christopher Nolan opens up about Bane choice
Dec. 12, 2011 | 3:43 p.m.
(Alberto Pizzoli/AFP/Getty Images)
This post has been corrected, as indicated below
There’s nothing sentimental or soft about Gotham City, and that seems to suit Christopher Nolan just fine. The 41-year-old filmmaker fills the screen with grim architecture, hard-luck faces and gun-metal hues; tricks of the mind are his narrative specialty, not affairs of the heart. Still, last Thursday, eating his dinner standing up in a movie theater lobby, Nolan confessed that even he got a bit misty during the final shooting days of “The Dark Knight Rises,” which is (by all appearances) his final visit to the world of Batman.
“I tend not to be too emotional on the set, I find that doesn’t help me do my job,” the writer-director said between bites. “But you definitely get a little lump in your throat thinking that, ‘OK, this is going to be the last time we’re going to be doing this.’ It’s been quite a journey. Hopefully, reflecting that journey — by all of us who made the films — in the three films together will make it so they have a real span to them, some real heft.”
Principal photography on “The Dark Knight Rises” was completed in mid-November after an intense six-month shoot that took Nolan and his veteran crew to India, Scotland and the United States as well as Cardington, England, their home base, where Gotham landmarks are set up inside a massive and moldy, old zeppelin hangar. The movie hits theaters on July 20 but, of course, Nolan is far from finished. He took a break from the editing room last week only to show seven minutes of ”Rises” footage to journalists and bloggers; it’s the same seven-minute preview that, starting this Friday, moviegoers will be able to see as a special trailer before screenings of “Mission: Impossible — Ghost Protocol” at select IMAX theaters.
For a vast tribe of movie fans, the taciturn Nolan is a figure of fascination and there’s a massive amount of interest in the finale of his Gotham trilogy, which so far has made $1.4 billion in worldwide box office, broke records in home video and generated hundreds of millions more in merchandise and licensing deals. Amateur and professional photographers dogged the ”Rises” production across the globe and every week brought new rumors about the film’s plot, characters, vehicles or costumes. Nolan doesn’t spend much time surfing the Internet (this is the guy who doesn’t have a cellphone or email account), but at a small reception after the Universal City press screening he said he welcomes the Bat-mania for what it represents.
“It’s terrific, to have people that interested in something. It reminds you that it is a real honor to work on something that means so much to people,” Nolan said. “I’d love to be able to claim that I invented the whole thing and that’s why they’re interested. I did not. I’ve been given a very precious thing to do my best with, to look after and not to let people down. There’s a certain amount of fear that comes with it and intimidation but it’s also a great privilege. [As for the fans], they want it to be great, they want to go enjoy it and they’re fascinated by it. You know, there’s always controversy regarding things that people will disagree with but hopefully they appreciate the effort of trying to make something good.”
That effort to be good brings back newly minted Oscar winner Christian Bale as Bruce Wayne and a supporting cast with Michael Caine, Marion Cotillard, Anne Hathaway, Morgan Freeman — all Academy Award winners or nominees — and Gary Oldman who may soon be one. The screenplay, written by Nolan and his brother, Jonathan Nolan, is based on a story concept by the director and David S. Goyer, and it starts eight years after the final scene in 2008′s “The Dark Knight.” Bale has already confirmed that this is his last time in the cape and, because of the film’s tag line, “The legend ends,” many fans are wondering if this movie will dare the unthinkable and actually kill off the caped crusader.
Tom Hardy as Bane (Warner Bros)
The preview trailer on “Ghost Protocol” will, no doubt, mark the beginning of a larger, intensified fan conversation about the movie. Warner Bros., which has already said goodbye to Hogwarts and “Harry Potter” this year, will try to fuel that fire and all of Hollywood is worried about the seasons ahead; it’s been a blue Christmas so far for the industry – the domestic box office for all releases this past weekend was $78 million, the lowest total since September 2008 — and it’s revealing that in the eyes of many fans the biggest movie event of this holiday season is the seven-minute preamble to a film that won’t reach theaters for another six months.
Nolan thinks big and IMAX is a part of that. The filmmaker loves IMAX and views it — and not stereoscopic 3D – as today’s best approach to cinema spectacle and, as he put it last Thursday, the “grandeur of the movies.” He and his Oscar-winning cinematographer, Wally Pfister, again put up with the bulky, noisy IMAX cameras for some of the big action sequences in this third Batman film and Nolan said that if the edit of “Rises” goes as he expects, about 45 to 50 minutes of the finished film will have been shot with IMAX cameras.
Bane breaks Batman in the comics mythology (DC Comics)
That’s about twice as much IMAX footage as the last Batman film, “The Dark Knight,” the highest-grossing film of 2008. It was four years ago this month that Nolan hosted a similar preview of “The Dark Knight” and showed the opening sequence of that film, the bank heist that introduced the world to Heath Ledger’s bold and searing take on the Joker. (That opening sequence was then shown, as a trailer, to moviegoers who saw “I Am Legend” at IMAX theaters.) This new “Rises” preview footage has some of the same rhythms of that now famous robbery scene from the second movie; both play with the ideas of masks and identity, both present modern takes on the classic double-cross and, most of all, they show villains with a flair for mind-blowing exit strategies.
The “Rises” opening sequence takes place mostly in the air; it shows hooded prisoners being transported on a CIA plane and it reveals that this film’s evil mastermind, Bane, played by Tom Hardy, is not to be underestimated no matter the setting or situation. The sequence required some intense aerial work for Nolan and company and, as always, the director’s emphasis was on in-camera effects and stunt work as opposed to the pixelated painting that is the norm in today’s computer-generated Hollywood.
“We had a lot of fun on it,” Nolan said. “It was a tricky sequence to shoot but a lot of very talented people worked very hard on it. And I’m thrilled with the result. We shot it in Scotland. We braved the weather — it rains all the time there, a terrible place to do an aerial sequence, which is why no one has sort of done it before. You usually wind up in the desert or something for very practical reasons. But it really came off. We got very lucky with the weather and a lot of good planning went into it. I think it had a very unique look.”
Bane was still a new sensation in this 1993 comic book (DC Comics)
(It certainly had a unique sound — Hardy, behind his mask, was difficult to understand for many of the people at the press preview. It will be interesting to see how that changes between now and next summer’s delivery of the film. Nolan and his team can certainly play with the sound and recorded dialogue to clear up the metallic muddle.)
With Bane — a brawny, brutal genius with a fearsome masked visage — Nolan surprised many observers because in his previous films he veered toward the more time-tested end of Batman’s rogues gallery (in the pages of DC Comics, the Joker, Two-Face and Scarecrow all date to the early 1940s, as does Catwoman, who will be a supporting character and played by Hathaway in this new film). Bane, however, first appeared in the comics in 1993 as the creation of Chuck Dixon, Doug Moench and Graham Nolan (no relation to the filmmaker). The director said it was Goyer who provided him with a four-color education in Bane.
“I didn’t know him very well,” Nolan said. “David Goyer got me a bunch of stuff on him and we looked into him. I only knew him by name, I wasn’t familiar with his back story. He’s a very cool character. And getting an actor like Tom to take it on, you know you’re going to get something very special. Tom is somebody who really knows how to put character into every gesture, every aspect of his physicality in the way that great actors can. He’s a very, very physical actor. He transforms himself and it’s there in every movement. He’s not afraid to look at a character from the outside as well as the inside so there’s a deep psychological branch to the character but also a very, very specific awareness of how he’s going to use his body and his appearance to express that character too. Christian is like that too, very much.”
"Batman Begins" started the trilogy in 2005 (Warner Bros.)
The big question: Will Bruce Wayne still be wearing the mask and cape of Batman at the end of the film? In the pages of DC Comics, in the landmark 1993-94 arc called “Knightfall,” the brutal and canny Bane waited for the hero to be at his weakest point in body and spirit before delivering a (literally) crippling blow. In that story, Batman’s snapped spine left him looking for a replacement; that and the fact that the new film has “Rise” in the title has stirred plenty of speculation (not unlike Alan Moore’s “V for Vendetta” epic or Lee Falk’s classic mythology for “The Phantom”) that a next-generation newcomer might inherit Wayne’s mask and the mission.
The addition of “Inception” co-star Joseph Gordon-Levitt to the Gotham City cast as a young cop named John Blake certainly opens up some possible opportunities for a Batcave inheritance. N0lan is fine with all guessing games — again, it speaks to the fan passion — but don’t expect the cryptic filmmaker to offer any hints. He does say that he was searching for a story that would deliver a true finale and close out the trilogy in a powerful and definitive way. He also said that Bane will test the bone and muscle of Wayne with unprecedented savagery.
“With Bane, the physicality is the thing,” Nolan said. “With a good villain you need an archetype, you know, you need the extreme of some type of villainy. The Joker is obviously a particular archetype of diabolical, chaotic anarchy and has a devilish sense of humor. Bane, to me, is something we haven’t dealt with in the films. We wanted to do something very different in this film. He’s a primarily physical villain, he’s a classic movie monster in a way — but with a terrific brain. I think he’s a fascinating character. I think people are going to get a kick out of what we’ve done with him.”
Tom Hardy in "Inception." (Warner Bros. Pictures)
As for moving the action ahead eight years, Nolan said that it was a way to give true gravity to the events that were portrayed at the end of “The Dark Knight,” when Batman essentially took the blame for the crimes of Harvey Dent and became a fugitive from justice instead of a tacitly approved vigilante.
“It will make a lot more sense to people when they see the film,” Nolan said of the leap forward. “But it’s not a great mystery — it’s the jumping-off point for the film — but it’s hard for me to articulate it. I think the mood at the beginning of the film will make a lot of sense. If I had to express it thematically, I think what we’re saying is that for Batman and Commissioner Gordon, there’s a big sacrifice, a big compromise, at the end of the ‘The Dark Knight’ and for that to mean something, that sacrifice has to work and Gotham has to get better in a sense. They have to achieve something for the ending of that film — and the feeling at the end of that film — to have validity. Their sacrifice has to have meaning and it takes time to establish that and to show that, and that’s the primary reason we did that. It’s a time period that is not so far ahead that we would have to do crazy makeup or anything — which I think would be distracting — but it gave them something to get their teeth into, particularly Christian in terms of [portraying] this guy who has been frozen in this moment in time with nowhere to go. He really has done an incredible job figuring out how to characterize that and express that.”
The true mystery is what Hollywood will make of Nolan — and vice versa — after he has truly left Gotham behind. Those are questions for another day but for the time being, the filmmaker seems pleased by the rare sensation of a sentimental journey: “It was pretty emotional as we would finish these characters and say goodbye to Alfred for the last time and say goodbye to Commissioner Gordon and eventually, with Christian, fairly close to the end, saying goodbye to Batman … it was a big deal,” Nolan said. “And with these newer characters too, finishing with Anne and all these guys. It was quite touching, I must say.”
|12-13-2011, 08:09 PM||#172|
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Pretty cool because Knightfall was actually the first comic series I ever read. Anyway, this looks like it will be epic but tbh I thought TDK was mad overrated
|12-17-2011, 11:16 AM||#178|
El Don of this shit
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Good quality bootleg trailer
"I pledge allegiance to the hip hop"
|12-17-2011, 02:03 PM||#179|
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