Crunk!!! music??? - Page 2 - Wu-Tang Corp. - Official Site of the Wu-Tang Clan

WallyG · 02-06-2006, 04:44 PM

yea D4L and Dem Franchise Boys r wack....damn atlanta georgia have alot of artist, either good or shit...like they got Outkast, Luda, Field Mobb, then they got them new wack crews...but anyway that Lean Wit It, Rock wit It beat i like tho...but them niggaz r wack...3 six mafia r vets and i like they music...but them southern hiphop will always be around, u got crunk now u got snap music, and i think snap music is just terribaly funny

PuNcH_iN_PuNcH_OuT · 02-06-2006, 07:17 PM

Fucking media is sucking 50/south/crunk dick so hard even though its utter trash (not the dope south shit). It really fucks me off.

Rebel_INS · 02-06-2006, 09:58 PM

Quote:

Originally Posted by PuNcH_iN_PuNcH_OuT

Fucking media is sucking 50/south/crunk dick so hard even though its utter trash (not the dope south shit). It really fucks me off.

Lmao for realz

Koolish · 02-06-2006, 10:33 PM

the media plays what the people want, and people want crunk. i watched something on TV, and most of the people who play important roles in today's Hiphop, either said they don't like/listen to it, or kinda gave the impression they didn't like it all that much.

some of it like someone else said is good if you just want a lot of bass or at a club blah blah blah.
________
Vaporizers

Hamburglaz · 02-06-2006, 10:58 PM

man back in 92 Splack Pack was teh shiiiitt lol but now a days its just gettin old

i just think theyres nothin tight about theyre raps foreal the beats are catchy for a month but after that it sounds the same as everything else so i dunno its nothin strong to me. i could listen to splack pack all day tho or even triple 6 like that cat was sayin before.

WuBanga36 · 02-10-2006, 09:46 AM

Not feeling it, therefore, I would pay no attention to it. It's just as simple as that.

TrueDciple · 02-16-2006, 12:02 PM

That *snap and lean then post like u taking a picture* music is just too fruity...shit looks gay, is crunk going homo?...LOL

Peace!

Aqueous Moon · 02-16-2006, 12:31 PM

I be getting my excercise on to that shit. all that leaning and rocking...good cardio

crastuf · 02-16-2006, 07:14 PM

crunk is staying here forever, that's how we been getting down since the eighties in the south
only thing that is changing is the popularity, and the sound
we still go in the club and mosh, there's more to crunk than Lil' Jon and the Eastside Boys
there are lyrics in crunk too, don't get it twisted. Me and my people are working on some music and it's a crunk mix of lyrics. I'll send ya'll some when we get done with an album issue
the Diplomats are crunk styled also for the northerner only listeners
Peace

Analyze · 02-16-2006, 11:56 PM

If your shit sounds anything like Jim Jones or any of them Dipset niggas, keep that shit over there. Lyrics and crunk music dont mix that shit is like oil and water, the bass drowns out anything a nigga is saying unless he streaming at the top of his lungs and I know that shit cant be considered lyrical.

Wu Forever

DIRTY ALI · 02-17-2006, 05:20 PM

crunk is the same beat every song that those cunkers realese.....lil jonh tha same fuckin sounds like they fucken sirens and screamin like yyeeaayyyeaaahhh....jajaja come on if they want to progress and keepin doing crunk got to take it to a next level.....but it will sucks either.....my opinion...peace out

Dragoon · 02-17-2006, 05:28 PM

Quote:

Originally Posted by PuNcH_iN_PuNcH_OuT

Fucking media is sucking 50/south/crunk dick so hard even though its utter trash (not the dope south shit). It really fucks me off.

Word, fuck Crunk music...

Kid Chameleon · 02-17-2006, 06:51 PM

this must be the price for rap being mainstream

crastuf · 02-17-2006, 06:55 PM

there isn't a lot of bass in every crunk song. the snares get it crunk. the lyrics get you buck. you should listen to a cd Jadakiss is on a few crunk ass songs with Lil' Jon. don't sleep on it. it ain't always yelling either. the beats are varied like hell, ya'll are just being close minded.

Proeliator001 · 02-17-2006, 07:03 PM

Reason for this wack Crunk shit getting all the play on the radio and shit is right here:
By BRIAN ROSS and VIC WALTER

Feb. 16, 2006 — The ride to the top of the charts was an American dream come true for drummer Jake Slichter, of the Minneapolis band Semisonic. The band's song "Closing Time" became the No. 1 tune in the country in 1998.

"We had always been like the little unknown band with songs very few people knew," Slichter told ABC News' Brian Ross.

"I remember the first time we played 'Closing Time' when it was a No. 1 hit," Slichter said as he recalled a concert at RFK Stadium in Washington, D.C.

"The song sort of starts quietly, and you could feel this sort of peel of screams kind of go back through the crowd," he said. "When I crashed the cymbals on the downbeat of the chorus, you could just feel this incredible, like, tidal wave of energy and it's just like whoosh."

"We have been playing rock music our whole lives. That is that moment," Slichter said. "That is a rock star moment."

'A Chunk of Change'

But as the song started to spread across the airwaves of American radio, from Los Angeles to New York, the new rock star said he was in on one of the secrets of his band's success — payola.

"We definitely benefited from payola," Slichter said. "There is no doubt about it."

Payola, what many authorities would call bribes, is money and gifts that record companies and middlemen give to radio stations to play songs.

"It cost something close to $700,000 to $800,000 to get 'Closing Time' on the air," said Slichter, "to keep it on the air long enough for people, for public taste to really grab on to it, yeah. A chunk of change."

Payola was a multimillion-dollar secret that was out in the open at last week's Grammy festivities in Los Angeles, where a number of recording artists on the red carpet said it was an unfortunate part of the industry.

When asked if he believed if payola still existed in the industry, veteran artist Tony Bennett said, "Absolutely. It costs a lot of money to make something famous."

Grammy nominee Fiona Apple told ABC News, "It's a business about money. People are trying to get what they want done, and they'll pay for it if they've got the money, sure." Apple added that she did not know if payola was responsible for getting any of her work on the airwaves.

Others were also not surprised that payola still existed.

"I think that's been going on a really, really long time," said Foo Fighters drummer Taylor Hawkins. "I think back in the '70s, they used to pay people with hookers and cocaine, and now they're just doing it with straight-up money — so they can go out and buy their own hookers and cocaine."

02-06-2006, 07:17 PM	#17
PuNcH_iN_PuNcH_OuT DEVIL BASTARD!!! Join Date: Jul 2005 Location: fuck fuck fuck Age: 29 Posts: 5,164 Rep Power: 19	Fucking media is sucking 50/south/crunk dick so hard even though its utter trash (not the dope south shit). It really fucks me off. __________________

02-06-2006, 10:33 PM	#19
Koolish Don't Mess With It Join Date: Jul 2005 Posts: 2,604 Rep Power: 12	Go the media plays what the people want, and people want crunk. i watched something on TV, and most of the people who play important roles in today's Hiphop, either said they don't like/listen to it, or kinda gave the impression they didn't like it all that much. some of it like someone else said is good if you just want a lot of bass or at a club blah blah blah. ________ Vaporizers Last edited by Koolish; 03-24-2011 at 12:39 PM.

02-10-2006, 09:46 AM	#21
WuBanga36 Veteran Member Join Date: Nov 2003 Location: Miami Age: 31 Posts: 901 Rep Power: 11	Not feeling it, therefore, I would pay no attention to it. It's just as simple as that. __________________ Shaolin Gotz Da Krown.

02-17-2006, 07:03 PM	#30
Proeliator001 Junior Member Join Date: Feb 2006 Location: New York Posts: 6 Rep Power: 0	Reason for this wack Crunk shit getting all the play on the radio and shit is right here: By BRIAN ROSS and VIC WALTER Feb. 16, 2006 — The ride to the top of the charts was an American dream come true for drummer Jake Slichter, of the Minneapolis band Semisonic. The band's song "Closing Time" became the No. 1 tune in the country in 1998. "We had always been like the little unknown band with songs very few people knew," Slichter told ABC News' Brian Ross. "I remember the first time we played 'Closing Time' when it was a No. 1 hit," Slichter said as he recalled a concert at RFK Stadium in Washington, D.C. "The song sort of starts quietly, and you could feel this sort of peel of screams kind of go back through the crowd," he said. "When I crashed the cymbals on the downbeat of the chorus, you could just feel this incredible, like, tidal wave of energy and it's just like whoosh." "We have been playing rock music our whole lives. That is that moment," Slichter said. "That is a rock star moment." 'A Chunk of Change' But as the song started to spread across the airwaves of American radio, from Los Angeles to New York, the new rock star said he was in on one of the secrets of his band's success — payola. "We definitely benefited from payola," Slichter said. "There is no doubt about it." Payola, what many authorities would call bribes, is money and gifts that record companies and middlemen give to radio stations to play songs. "It cost something close to $700,000 to $800,000 to get 'Closing Time' on the air," said Slichter, "to keep it on the air long enough for people, for public taste to really grab on to it, yeah. A chunk of change." Payola was a multimillion-dollar secret that was out in the open at last week's Grammy festivities in Los Angeles, where a number of recording artists on the red carpet said it was an unfortunate part of the industry. When asked if he believed if payola still existed in the industry, veteran artist Tony Bennett said, "Absolutely. It costs a lot of money to make something famous." Grammy nominee Fiona Apple told ABC News, "It's a business about money. People are trying to get what they want done, and they'll pay for it if they've got the money, sure." Apple added that she did not know if payola was responsible for getting any of her work on the airwaves. Others were also not surprised that payola still existed. "I think that's been going on a really, really long time," said Foo Fighters drummer Taylor Hawkins. "I think back in the '70s, they used to pay people with hookers and cocaine, and now they're just doing it with straight-up money — so they can go out and buy their own hookers and cocaine." __________________ keepin it real will make you casualty of abnormal normality

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02-06-2006, 04:44 PM	#16
WallyG CHICKEN HEAD Join Date: Feb 2006 Posts: 195 Rep Power: 0	yea D4L and Dem Franchise Boys r wack....damn atlanta georgia have alot of artist, either good or shit...like they got Outkast, Luda, Field Mobb, then they got them new wack crews...but anyway that Lean Wit It, Rock wit It beat i like tho...but them niggaz r wack...3 six mafia r vets and i like they music...but them southern hiphop will always be around, u got crunk now u got snap music, and i think snap music is just terribaly funny

02-06-2006, 10:58 PM	#20
Hamburglaz Junior Member Join Date: Feb 2006 Posts: 2 Rep Power: 0	man back in 92 Splack Pack was teh shiiiitt lol but now a days its just gettin old i just think theyres nothin tight about theyre raps foreal the beats are catchy for a month but after that it sounds the same as everything else so i dunno its nothin strong to me. i could listen to splack pack all day tho or even triple 6 like that cat was sayin before.

02-16-2006, 12:02 PM	#22
TrueDciple Veteran Member Join Date: Jun 2004 Location: Harlem Posts: 1,028 Rep Power: 10	That snap and lean then post like u taking a picture music is just too fruity...shit looks gay, is crunk going homo?...LOL Peace!

02-16-2006, 12:31 PM	#23
Aqueous Moon Veteran Member Join Date: Oct 2005 Posts: 2,616 Rep Power: 12	I be getting my excercise on to that shit. all that leaning and rocking...good cardio

02-16-2006, 07:14 PM	#24
crastuf Ronin Ninja Join Date: Mar 2004 Age: 23 Posts: 394 Rep Power: 10	crunk is staying here forever, that's how we been getting down since the eighties in the south only thing that is changing is the popularity, and the sound we still go in the club and mosh, there's more to crunk than Lil' Jon and the Eastside Boys there are lyrics in crunk too, don't get it twisted. Me and my people are working on some music and it's a crunk mix of lyrics. I'll send ya'll some when we get done with an album issue the Diplomats are crunk styled also for the northerner only listeners Peace

02-16-2006, 11:56 PM	#25
Analyze Veteran Member Join Date: Jun 2005 Location: NC but from Norfolk, VA Age: 34 Posts: 633 Rep Power: 9	If your shit sounds anything like Jim Jones or any of them Dipset niggas, keep that shit over there. Lyrics and crunk music dont mix that shit is like oil and water, the bass drowns out anything a nigga is saying unless he streaming at the top of his lungs and I know that shit cant be considered lyrical. Wu Forever

02-17-2006, 05:20 PM	#26
DIRTY ALI Junior Member Join Date: Feb 2006 Location: TIJUANA B.C. MEXICO Posts: 10 Rep Power: 0	crunk is the same beat every song that those cunkers realese.....lil jonh tha same fuckin sounds like they fucken sirens and screamin like yyeeaayyyeaaahhh....jajaja come on if they want to progress and keepin doing crunk got to take it to a next level.....but it will sucks either.....my opinion...peace out

02-17-2006, 06:51 PM	#28
Kid Chameleon Junior Member Join Date: Feb 2006 Posts: 17 Rep Power: 0	this must be the price for rap being mainstream

02-17-2006, 06:55 PM	#29
crastuf Ronin Ninja Join Date: Mar 2004 Age: 23 Posts: 394 Rep Power: 10	there isn't a lot of bass in every crunk song. the snares get it crunk. the lyrics get you buck. you should listen to a cd Jadakiss is on a few crunk ass songs with Lil' Jon. don't sleep on it. it ain't always yelling either. the beats are varied like hell, ya'll are just being close minded.